








So I understood Cassie's postcard as being negative about the sinister fatality of time. I wanted to further this idea through including imagery that reinforced this concept. I wanted to make the clock seem even more sinister by pairing it with the imagery of the skull and of the elderly woman. I found the most successful compositions were ones where the clock and the other imagery began to interact in a more direct way, like in the tintypes, how the texture of the photograph bleeds into the clock, or on the old woman, how color helps to unify the composition.
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